Firethorn, Heavy Glow, Boyscout at the Casbah, 1/31/10
I didn't get to the Casbah in time for the free bacon-wrapped hot dogs or Nautical Disaster's opening set. I did want to see them since my old band played with them several times a few years ago, but these Lucha Libre nights start really early.
I've shot Boyscout a few times now, and even managed to get a photo in their feature article in the CityBeat. I tried something new during their set- long exposure up to 1.5 seconds.

Meh at best.

I wanted to mimic the streaky look that comes from dragging the shutter during a flash exposure, but it really just blurs out the band. I used the top edge of the monitors to steady the camera, so maybe next time I'll play around with some camera motion to push the effect even further.
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Heavy Glow has a bit of a 70s rock throwback sound, full of classic rock hooks and attitude.

They released an EP at the show, and had lots of friends come out to cheer them on. I didn't put a lot of time into shooting them since this isn't really my kind of music, but I'll bet that EP sounds good.

They were full of smiles, something I can always appreciate. Why do certain musicians always look like they'd rather be somewhere else than on stage?


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I've been meaning to shoot Firethorn for a long time, but they live in different cities so they don't get to play as much as they used to.

When the singer takes off his shirt and drops to his knees during the first song, it's going to be a fun band to shoot.

The music is 90s pop-punk, to my ears at least. If you go to rock shows in San Diego with any regularity, you've seen Sean the bass player in the audience. I swear he's been to every show I've shot at the Casbah.

It was good to finally hear him play. He's a supporter of the local music scene and deserves some extra lens time from me because of it. I got nice and close with my ultra wide angle lens while trying to avoid his big, swinging headstock.

I wish I had a chance to shoot him while he still had that magnificent afro.

Next time I'll pick up a CD.

I've shot Boyscout a few times now, and even managed to get a photo in their feature article in the CityBeat. I tried something new during their set- long exposure up to 1.5 seconds.

Meh at best.

I wanted to mimic the streaky look that comes from dragging the shutter during a flash exposure, but it really just blurs out the band. I used the top edge of the monitors to steady the camera, so maybe next time I'll play around with some camera motion to push the effect even further.
----------------------------
Heavy Glow has a bit of a 70s rock throwback sound, full of classic rock hooks and attitude.

They released an EP at the show, and had lots of friends come out to cheer them on. I didn't put a lot of time into shooting them since this isn't really my kind of music, but I'll bet that EP sounds good.

They were full of smiles, something I can always appreciate. Why do certain musicians always look like they'd rather be somewhere else than on stage?


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I've been meaning to shoot Firethorn for a long time, but they live in different cities so they don't get to play as much as they used to.

When the singer takes off his shirt and drops to his knees during the first song, it's going to be a fun band to shoot.

The music is 90s pop-punk, to my ears at least. If you go to rock shows in San Diego with any regularity, you've seen Sean the bass player in the audience. I swear he's been to every show I've shot at the Casbah.

It was good to finally hear him play. He's a supporter of the local music scene and deserves some extra lens time from me because of it. I got nice and close with my ultra wide angle lens while trying to avoid his big, swinging headstock.

I wish I had a chance to shoot him while he still had that magnificent afro.

Next time I'll pick up a CD.



The pics look great! Thanks for the photo love!!
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